Rabindranath Tagore, whose genius touched nearly every branch of the arts and literature, left an indelible imprint on the world of drama—not merely as a playwright, but as an actor, director, and visionary of the stage.
With the passing of Professor Tony K. Stewart, Gertrude Conaway Vanderbilt Chair in Humanities Emeritus, the field of South Asian religions, and more specifically, premodern Bengali literature, has lost one of its leading lights.
The writing of history in the Bengali language by a Bengali began around 225 years ago with the publication of Raja Pratapaditya Charitra in 1801.
The Cold War was a war of armaments and ideologies—but it was also a war of words, fought in classrooms, libraries, and on the printed page.
Jamdani is not just the material or the motifs; it encompasses everything—from the river system and flora-fauna of the Dhaka region
Dhaka's air is a stew of brick kiln soot, exhaust fumes, construction dust, and factory emissions
Anisur Rahman and I have traveled together across the troubled landscape of Bangladesh’s history over many years. We first came together in October 1957, when we were recruited as teachers by Professor M.N. Huda, then the Chairman of the Economics Department at Dhaka University (DU).
We live within ecosystems, engaging in mutual interactions. Ecosystems such as rivers, forests, and agricultural lands are shared resources.
Rabindranath Tagore, whose genius touched nearly every branch of the arts and literature, left an indelible imprint on the world of drama—not merely as a playwright, but as an actor, director, and visionary of the stage.
With the passing of Professor Tony K. Stewart, Gertrude Conaway Vanderbilt Chair in Humanities Emeritus, the field of South Asian religions, and more specifically, premodern Bengali literature, has lost one of its leading lights.
The writing of history in the Bengali language by a Bengali began around 225 years ago with the publication of Raja Pratapaditya Charitra in 1801.
The Cold War was a war of armaments and ideologies—but it was also a war of words, fought in classrooms, libraries, and on the printed page.
Jamdani is not just the material or the motifs; it encompasses everything—from the river system and flora-fauna of the Dhaka region
Dhaka's air is a stew of brick kiln soot, exhaust fumes, construction dust, and factory emissions
Anisur Rahman and I have traveled together across the troubled landscape of Bangladesh’s history over many years. We first came together in October 1957, when we were recruited as teachers by Professor M.N. Huda, then the Chairman of the Economics Department at Dhaka University (DU).
We live within ecosystems, engaging in mutual interactions. Ecosystems such as rivers, forests, and agricultural lands are shared resources.
Tamam na sud or ‘Not the end’! There could not have been a better ending of a captivating romantic novel like Shabnami.
In a quiet neighbourhood of a once lush green residential area of Dhanmondi, I grew up in a three-storied house that dates back to the year 1957, listening wide-eyed to stories of a man deeply involved in Bangladesh’s struggle for sovereignty and democracy.
