The auditorium at Goethe-Institut Bangladesh turns into an unconventional stage on November 29 as “AI Mafia Boyfriend”, an experimental performance created by Katerina Don for Sister Library, unfolds before a packed audience. Instead of a conventional play, the production operates as a participatory social experiment examining loneliness, emotional labour, and the growing role of artificial intelligence in intimate life.
Leading the charge was the iconic Miles frontman, Hamin Ahmed, who distilled decades of experience into an unforgettable session for the assembled talent. Organised by Team Alpha, the masterclass was a dynamic blend of deep technical instruction and a rare, intimate look into the maestro's creative process.
On November 27, The Islamic University of Technology Photographic Society (IUTPS) inaugurated “Break The Circle: Season XII” at Bangladesh Shilpakala Academy’s Art Gallery 6, unveiling one of its most ambitious international showcases to date. The exhibition features 50 single photographs and seven photo stories selected from 7,832 submissions by judges Syed Latif Hossain, Suborna Morsheada and Sarker Protick.
The exhibition, which runs from November 21 to November 29, invites visitors into the intimate and often unseen beginnings of animated storytelling—before the polish, before the frames move, before the films exist.
In the quiet corners of Alliance Française, a small cluster of canvases invites viewers into a Dhaka that no longer exists — or perhaps one that exists only in memory. In “City of Memories”, Kazi Salahuddin Ahmed turns the familiar chaos of our own Old Dhaka into intimate, abstract landscapes, painted to recall the magic of the city.
His dramas from the 1980s to 2000s — “Ei Shob Din Ratri”, “Aaj Robibar”, “Kothao Keu Nei” — didn’t rely on extravagant plots. Instead, they unfolded inside familiar apartments, verandas, and tea stalls. The humour was effortless, the dialogue ordinary, yet the emotion ran deep. He made us care for people who could easily have been our neighbours.
On Friday, Dhaka witnessed an unforgettable night as Dhaka hosted a border-blurring musical spectacle that fused R&B, hip-hop, and indie energy in front of a roaring crowd hungry for something new. Jalali Set, Hasan Raheem, and Young Stunners lit up the stage, delivering one of the city’s most explosive live performances in recent memory.
Renowned author Rakib Hasan, the mind behind the beloved teen detective series “Tin Goyenda”, passed away yesterday. He was 74.
The auditorium at Goethe-Institut Bangladesh turns into an unconventional stage on November 29 as “AI Mafia Boyfriend”, an experimental performance created by Katerina Don for Sister Library, unfolds before a packed audience. Instead of a conventional play, the production operates as a participatory social experiment examining loneliness, emotional labour, and the growing role of artificial intelligence in intimate life.
Leading the charge was the iconic Miles frontman, Hamin Ahmed, who distilled decades of experience into an unforgettable session for the assembled talent. Organised by Team Alpha, the masterclass was a dynamic blend of deep technical instruction and a rare, intimate look into the maestro's creative process.
On November 27, The Islamic University of Technology Photographic Society (IUTPS) inaugurated “Break The Circle: Season XII” at Bangladesh Shilpakala Academy’s Art Gallery 6, unveiling one of its most ambitious international showcases to date. The exhibition features 50 single photographs and seven photo stories selected from 7,832 submissions by judges Syed Latif Hossain, Suborna Morsheada and Sarker Protick.
The exhibition, which runs from November 21 to November 29, invites visitors into the intimate and often unseen beginnings of animated storytelling—before the polish, before the frames move, before the films exist.
In the quiet corners of Alliance Française, a small cluster of canvases invites viewers into a Dhaka that no longer exists — or perhaps one that exists only in memory. In “City of Memories”, Kazi Salahuddin Ahmed turns the familiar chaos of our own Old Dhaka into intimate, abstract landscapes, painted to recall the magic of the city.
His dramas from the 1980s to 2000s — “Ei Shob Din Ratri”, “Aaj Robibar”, “Kothao Keu Nei” — didn’t rely on extravagant plots. Instead, they unfolded inside familiar apartments, verandas, and tea stalls. The humour was effortless, the dialogue ordinary, yet the emotion ran deep. He made us care for people who could easily have been our neighbours.
On Friday, Dhaka witnessed an unforgettable night as Dhaka hosted a border-blurring musical spectacle that fused R&B, hip-hop, and indie energy in front of a roaring crowd hungry for something new. Jalali Set, Hasan Raheem, and Young Stunners lit up the stage, delivering one of the city’s most explosive live performances in recent memory.
Renowned author Rakib Hasan, the mind behind the beloved teen detective series “Tin Goyenda”, passed away yesterday. He was 74.
Today, Bangladesh bid farewell to one of its most beloved storytellers. Rakib Hasan, the mind behind “Tin Goyenda”, passed away — leaving behind an irreplaceable void in the hearts of countless readers who grew up chasing clues, solving mysteries, and dreaming alongside Kishore, Musa, and Robin.
These are the questions that photographer Mostifqur Rahman Johan confronts in his exhibition Living on Death Row, curated by Tanzim Wahab and co-curated by Hadi Uddin. The exhibition, hosted at Drik Gallery, portrays the stories of 12 individuals who spent years in condemned cells before finally being released.
