Is ‘Bridgerton’ Season 4 a modern Cinderella story?

Naveen Islam Toree
Naveen Islam Toree

Once again, the ton holds its breath.
Season 4 of “Bridgerton” crowns Benedict Bridgerton as the season’s most eligible rake. But who is the mysterious woman who dares to disrupt his scandalous way of life, forcing him to chase rather than be chased?
Produced by Shondaland, the series has built its reputation on lush, slow-burn romances set against the glittering Regency era. This time, however, the narrative leans unmistakably towards a fairytale — one strikingly similar to “Cinderella”. Benedict and Sophie’s story unfolds with all the familiar ingredients: disguise, longing, secrecy and the ache of forbidden love.
Part 1 wastes little time establishing its magic. An opulent masquerade ball closes the first episode — masks, mystery and a fleeting first encounter that quietly lays the groundwork for everything to come. A silver glove is left behind. And so begins Benedict’s search for the elusive “Silver Lady”.
From their very first meeting, the chemistry between Benedict (Luke Thompson) and Sophie Baek (Yerin Ha) is undeniable. Both actors portray the delicate push and pull of restrained desire with convincing vulnerability.
Sophie emerges as the emotional centre of the season. A maid in disguise burdened by a stolen inheritance and rigid class barriers, her struggle is not simply romantic; it is existential. She is caught between yearning for belonging and a society that refuses her entry. This tension between fantasy and social reality gives the season a different depth.


Beyond the central romance, the subplots continue to stir the narrative. Violet Bridgerton tentatively attempts to reignite passion in her own life, while Francesca’s arc hints at unexplored sexuality and growing emotional complexity. Meanwhile, Lady Danbury and the Queen face a subtle test of friendship, and even the so-called “maid war” injects flashes of social commentary beneath the glamour.
And then there is Benedict himself.
Long celebrated for his wit and charm, he is finally forced to confront his own privilege and emotional immaturity. The anticipation surrounding his season was immense — and for the most part, it delivers. However, one of the final scenes sparked mixed reactions among viewers. When the long-simmering tension between him and Sophie finally surfaces, his controversial offer unsettles rather than reassures. For some, it felt jarringly out of character; for others, it revealed the entitled core of a man still learning what love truly demands.


But perhaps that discomfort is intentional.
“Bridgerton” has always thrived on complicating romance rather than sanitising it. Season 4 Part 1 does not hand us a fairytale neatly wrapped in ribbon. Instead, it pauses at the height of a social question — is a maid worthy of respectable love, or does duty overpower love?
If this is indeed a modern-day “Cinderella” story, then Part 2, arriving on February 26, must decide whether the glass slipper fits or shatters.
For now, the ton waits.
And so do we.