During Bangladesh’s July Movement, meme artists and political illustrators used digital satire and visual storytelling as powerful tools of resistance, transforming protest into art that exposed truth, challenged authority, and preserved uncensored history online.
Dhaka’s real estate story isn’t just a tale of square feet and glass facades.
Walk into a newly renovated apartment or café in Dhaka, and chances are, you’ll spot a cane chair by the window, a nakshi kantha throw draped over a couch, or a cluster of earthenware lining the shelves.
In Bangladesh, when people talk about pollution, it’s rarely about what’s inside their homes.
Farhanul Islam, also known as Brown Magic, blends mentalism and psychology to create immersive illusions that challenge perceptions of magic. His unique performances are revolutionizing magic in Bangladesh and gaining international recognition.
The July Movement in Bangladesh fused protest with digital defiance, using social media to bypass media silence, mobilize voices, and challenge power. It reshaped activism, highlighting social media’s role in truth, trauma, and transformation.
Salsa culture in Dhaka, led by Havana Salsa, is growing despite the dominance of other dance forms. It’s about connection, participation, and slow progress. The community fosters confidence, joy, and cultural exchange, redefining dance beyond performance.
In Dhaka’s ever-expanding skyline, where apartments compete for light, heat, and breath, paint is not just the final touch – it’s the invisible layer that makes a house livable.
During Bangladesh’s July Movement, meme artists and political illustrators used digital satire and visual storytelling as powerful tools of resistance, transforming protest into art that exposed truth, challenged authority, and preserved uncensored history online.
Dhaka’s real estate story isn’t just a tale of square feet and glass facades.
In Bangladesh, when people talk about pollution, it’s rarely about what’s inside their homes.
Walk into a newly renovated apartment or café in Dhaka, and chances are, you’ll spot a cane chair by the window, a nakshi kantha throw draped over a couch, or a cluster of earthenware lining the shelves.
Farhanul Islam, also known as Brown Magic, blends mentalism and psychology to create immersive illusions that challenge perceptions of magic. His unique performances are revolutionizing magic in Bangladesh and gaining international recognition.
The July Movement in Bangladesh fused protest with digital defiance, using social media to bypass media silence, mobilize voices, and challenge power. It reshaped activism, highlighting social media’s role in truth, trauma, and transformation.
Salsa culture in Dhaka, led by Havana Salsa, is growing despite the dominance of other dance forms. It’s about connection, participation, and slow progress. The community fosters confidence, joy, and cultural exchange, redefining dance beyond performance.
In Dhaka’s ever-expanding skyline, where apartments compete for light, heat, and breath, paint is not just the final touch – it’s the invisible layer that makes a house livable.
Zarin Hossain didn’t grow up in a family of business owners. But at 28, she’s running a menstrual hygiene brand with biodegradable packaging, fuelled by a loan from a bank that initially wanted none of it.
Rony Sharafat’s documentary “The Last Folks of Otter Fishing” captures a fading human-animal tradition in Narail, highlighting ethical storytelling, ecological loss, and the urgent need to preserve vanishing cultural and environmental heritage through visual narratives.
