The exhibition presents a rare visual chronicle of one of Bangladesh’s greatest treasures, Sultan, spanning from his reclusive days in his village home in Machimdia, Narail, to his later years. Photographs, letters—many never previously seen—allow viewers to step quietly into the private world of a man who preferred to live through his paintings, labour, imagination, and solitude.
“Photographs alter and enlarge our notions of what is worth looking at and what we have a right to observe.” — Susan Sontag, On Photography (New York: Farrar, Straus and Giroux, 1977), p. 3.
Bengal Shilpalay inaugurated “Shotoborshe Sultan” yesterday, a solo photography exhibition by Nasir Ali Mamun, held as a tribute to legendary Bangladeshi artist SM Sultan on his birth centenary.
On the 101st birth anniversary of SM Sultan, Dhaka’s Faculty of Fine Arts came alive with a vibrant festival celebrating his legacy. Though Sultan’s own paintings were absent, contemporary artists showcased works inspired by his powerful, realistic style. Organised by Charupith Art Research Institute and partners, the event included exhibitions, seminars, and film screenings, reaffirming Sultan’s lasting impact on Bangladeshi art and culture.
Born on August 10, 1924, in Machimdia, Narail, Sheikh Mohammed Sultan — affectionately known as SM Sultan — abandoned formal schooling early due to financial hardship. Encouraged by local zamindar Dhirendra Nath Roy, he enrolled at the Kolkata Government Art College but left in 1943 before completing his studies.
With every brushstroke, SM Sultan brought the rural landscape and the essence of nature to life, capturing their beauty with unparalleled vividness.
A total of forty paintings by world-renowned artists are being displayed at the National Art Gallery. Additionally, paintings by various artists from the country have also been included in the exhibition. The exhibition will run from October 9 to 17.
SM Sultan's life and art were inseparable from the cultural fabric of Bangladesh. He was not only an artist but also a cultural icon, earning the prestigious Ekushey Padak in 1982 and the Independence Day Award in 1993.
I had once written extensively about S.M. Sultan. Why? Because it felt essential to make our ‘art authorities’ aware that he was a rare talent, although many were unwilling to accept it. Thus, the pen became my last resort.
The exhibition presents a rare visual chronicle of one of Bangladesh’s greatest treasures, Sultan, spanning from his reclusive days in his village home in Machimdia, Narail, to his later years. Photographs, letters—many never previously seen—allow viewers to step quietly into the private world of a man who preferred to live through his paintings, labour, imagination, and solitude.
“Photographs alter and enlarge our notions of what is worth looking at and what we have a right to observe.” — Susan Sontag, On Photography (New York: Farrar, Straus and Giroux, 1977), p. 3.
Bengal Shilpalay inaugurated “Shotoborshe Sultan” yesterday, a solo photography exhibition by Nasir Ali Mamun, held as a tribute to legendary Bangladeshi artist SM Sultan on his birth centenary.
On the 101st birth anniversary of SM Sultan, Dhaka’s Faculty of Fine Arts came alive with a vibrant festival celebrating his legacy. Though Sultan’s own paintings were absent, contemporary artists showcased works inspired by his powerful, realistic style. Organised by Charupith Art Research Institute and partners, the event included exhibitions, seminars, and film screenings, reaffirming Sultan’s lasting impact on Bangladeshi art and culture.
Born on August 10, 1924, in Machimdia, Narail, Sheikh Mohammed Sultan — affectionately known as SM Sultan — abandoned formal schooling early due to financial hardship. Encouraged by local zamindar Dhirendra Nath Roy, he enrolled at the Kolkata Government Art College but left in 1943 before completing his studies.
With every brushstroke, SM Sultan brought the rural landscape and the essence of nature to life, capturing their beauty with unparalleled vividness.
A total of forty paintings by world-renowned artists are being displayed at the National Art Gallery. Additionally, paintings by various artists from the country have also been included in the exhibition. The exhibition will run from October 9 to 17.
SM Sultan's life and art were inseparable from the cultural fabric of Bangladesh. He was not only an artist but also a cultural icon, earning the prestigious Ekushey Padak in 1982 and the Independence Day Award in 1993.
I had once written extensively about S.M. Sultan. Why? Because it felt essential to make our ‘art authorities’ aware that he was a rare talent, although many were unwilling to accept it. Thus, the pen became my last resort.
Even after being acclaimed and acknowledged all over the world, including India, Pakistan, the USA, Britain, and Europe, SM Sultan’s artworks before the 1950s remain a mystery as most of these could not be traced due to his nomadic nature.
