Harvard killed my love for reading. When my advisor took me out for a celebratory dinner an hour after my doctoral defense in July 2012, I struggled to read the menu.
Haruki Murakami’s The City and Its Uncertain Walls, its English translation published last November, plunges the reader into a kind of metaphysical vertigo that never reaches a concluding synthesis.
Beginning to read Fine Gråbøl’s What Kingdom, translated from the Danish by Martin Aitkin, is like sitting in a silent room, alone, and a voice begins to speak as though from beside you.
Izumi Suzuki was little known outside of Japan during her short lifetime. The Japanese author and actress had remained a cult figure most of her life.
From A Handmaid’s Tale (McClelland and Stewart, 1985) to The Hunger Games (Scholastic, 2008),
Obayed Haq’s Bangla novel, Arkathi, is almost a bildungsroman tale filled with adventure and self-reflection. In true bildungsroman fashion, where the protagonist progresses into adulthood with room for growth and change, a bulk of Haq’s novel talks about the spiritual journey that an orphan, Naren, takes through a forest in order to mature, and comes out on the other side to realise a community’s deep, hidden truth.
Someone in a chat group somewhere called Sally Rooney the ‘Taylor Swift’ of the literary world, and now I cannot unsee it.
In January 2023, I was sitting in the crowd, listening in on a panel at the 10th and possibly the final edition of the Dhaka Lit Fest. Sheikh Hasina had already been in power for almost 15 years, and it felt like the sun would never set on Awami League, at least not in my lifetime.
I was a Twilight girl.
Haruki Murakami’s The City and Its Uncertain Walls, its English translation published last November, plunges the reader into a kind of metaphysical vertigo that never reaches a concluding synthesis.
Harvard killed my love for reading. When my advisor took me out for a celebratory dinner an hour after my doctoral defense in July 2012, I struggled to read the menu.
Izumi Suzuki was little known outside of Japan during her short lifetime. The Japanese author and actress had remained a cult figure most of her life.
Beginning to read Fine Gråbøl’s What Kingdom, translated from the Danish by Martin Aitkin, is like sitting in a silent room, alone, and a voice begins to speak as though from beside you.
From A Handmaid’s Tale (McClelland and Stewart, 1985) to The Hunger Games (Scholastic, 2008),
Obayed Haq’s Bangla novel, Arkathi, is almost a bildungsroman tale filled with adventure and self-reflection. In true bildungsroman fashion, where the protagonist progresses into adulthood with room for growth and change, a bulk of Haq’s novel talks about the spiritual journey that an orphan, Naren, takes through a forest in order to mature, and comes out on the other side to realise a community’s deep, hidden truth.
Someone in a chat group somewhere called Sally Rooney the ‘Taylor Swift’ of the literary world, and now I cannot unsee it.
In January 2023, I was sitting in the crowd, listening in on a panel at the 10th and possibly the final edition of the Dhaka Lit Fest. Sheikh Hasina had already been in power for almost 15 years, and it felt like the sun would never set on Awami League, at least not in my lifetime.
I was a Twilight girl.
Being an ardent admirer of K-pop culture, I wonder why I was hitherto unaware of this gem of a book, One Left by Kim Soom, and the excruciatingly painful truth it delineates.
