The featured short films are: “In Another World” by Konok Khondokar, “Telapoka” by Al-Amin Hossain, “Hudai Miss” by Zahedul Haque, “Homunculus” by Ibne Noor Rakib, “Soulmate” by Adil Imam, “Cha Chai” by Sheikh Kourashani, “Louk” by Mahmuda Sultana, “For Sale” by Fazle Rabbi, “On the Contrary” by Imtiaz Hossain, and “Ishpait” by Abir Ferdous.
More than just a home for the arts, it has long been a custodian of collective memory, responsible for shaping a culturally enriched, humane Bangladesh, rooted in its historical context. Despite its undeniable impact in preserving traditions, amplifying artistic expression, and cultivating national identity, the institution has long been a target for political manipulation, corruption, and political parties’ quests to control the cultural conscience of the country.
The festival received an overwhelming response, with 322 film submissions from across the country. After careful consideration by the selection committee, 89 films were chosen for screening—60 fictional shorts and 29 documentaries. These films were selected based on their artistic merit, storytelling prowess, and relevance to contemporary social issues.
Multiple theatre troupes claim they applied to book shows during these “reserved” slots — and were denied. When the list of reservations became public, the frustration spilled onto social media. On the Facebook group “Theatre Connection,” theatre activist Zubair Zahid posted a blunt question: “What kind of artistic practice requires 54 working days across three auditoriums?”
Farooki declared that this year’s New Year celebrations would bring together not just Bengali citizens, but also 27 ethnic communities from across the country. “Diversity is our most powerful and beautiful asset,” he said.
Classical music and dance are among the most refined expressions of human culture, representing profound dedication, beauty, and tradition. In an effort to further promote and preserve these distinguished art forms, the Music, Dance, and Recitation Department of Bangladesh Shilpakala Academy will be hosting a four-day “Shastriya Sangeet O Nritya Utsab” (Classical Music and Dance Festival).
Among the notable schedules, the "Sixth National Sculpture Exhibition" will run until January 20, while the month-long exhibition titled "2024: Oi Nutoner Keton Ore" will feature posters, paintings, photography, videography, and cartoons and conclude on January 17. Additionally, the National Pitha Festival will be held on the Academy grounds from January 24 to February 1.
The performance, organised by the Conservatory Cell of the Bangladesh Shilpakala Academy, will commence at 9pm and continue throughout the night.
This December, the country is set to come alive with an extraordinary lineup of cultural festivities, organized by Shilpakala Academy to mark the country's month of victory. From Qawwali performances to theatre festivals, the month-long celebration promises something for everyone. These events, held across districts and major cities, aim to bring art and culture to the public, making them accessible to all.
The featured short films are: “In Another World” by Konok Khondokar, “Telapoka” by Al-Amin Hossain, “Hudai Miss” by Zahedul Haque, “Homunculus” by Ibne Noor Rakib, “Soulmate” by Adil Imam, “Cha Chai” by Sheikh Kourashani, “Louk” by Mahmuda Sultana, “For Sale” by Fazle Rabbi, “On the Contrary” by Imtiaz Hossain, and “Ishpait” by Abir Ferdous.
More than just a home for the arts, it has long been a custodian of collective memory, responsible for shaping a culturally enriched, humane Bangladesh, rooted in its historical context. Despite its undeniable impact in preserving traditions, amplifying artistic expression, and cultivating national identity, the institution has long been a target for political manipulation, corruption, and political parties’ quests to control the cultural conscience of the country.
The festival received an overwhelming response, with 322 film submissions from across the country. After careful consideration by the selection committee, 89 films were chosen for screening—60 fictional shorts and 29 documentaries. These films were selected based on their artistic merit, storytelling prowess, and relevance to contemporary social issues.
Multiple theatre troupes claim they applied to book shows during these “reserved” slots — and were denied. When the list of reservations became public, the frustration spilled onto social media. On the Facebook group “Theatre Connection,” theatre activist Zubair Zahid posted a blunt question: “What kind of artistic practice requires 54 working days across three auditoriums?”
Farooki declared that this year’s New Year celebrations would bring together not just Bengali citizens, but also 27 ethnic communities from across the country. “Diversity is our most powerful and beautiful asset,” he said.
Classical music and dance are among the most refined expressions of human culture, representing profound dedication, beauty, and tradition. In an effort to further promote and preserve these distinguished art forms, the Music, Dance, and Recitation Department of Bangladesh Shilpakala Academy will be hosting a four-day “Shastriya Sangeet O Nritya Utsab” (Classical Music and Dance Festival).
Among the notable schedules, the "Sixth National Sculpture Exhibition" will run until January 20, while the month-long exhibition titled "2024: Oi Nutoner Keton Ore" will feature posters, paintings, photography, videography, and cartoons and conclude on January 17. Additionally, the National Pitha Festival will be held on the Academy grounds from January 24 to February 1.
The performance, organised by the Conservatory Cell of the Bangladesh Shilpakala Academy, will commence at 9pm and continue throughout the night.
This December, the country is set to come alive with an extraordinary lineup of cultural festivities, organized by Shilpakala Academy to mark the country's month of victory. From Qawwali performances to theatre festivals, the month-long celebration promises something for everyone. These events, held across districts and major cities, aim to bring art and culture to the public, making them accessible to all.
The statement presented arguments in support of this demand, signed by filmmakers, producers, cinematographers, editors, sound designers, film critics, researchers, teachers, film workers and organizers, actors, musicians, and photographers.
