Featured
The Nishat Priom phenomenon
With nearly a decade in the industry, Nishat Priom has captivated audiences on both television and OTT platforms. As one of the earliest talents in the OTT space, she consistently takes on diverse roles, pushing boundaries and exploring new dimensions in her craft.
Serene Sarika
A spontaneous girl, who entered showbiz in 2006 as a model while still in school, quickly made her mark in the industry with grace and charm. Sarika Subrin, a household name for her roles in small-screen dramas, is now making waves on OTT platforms. She has also been the host of the longest-running celebrity show, “Amar Ami”, for four years now.
The timeless allure of Jibanananda Das on screen
Known by various titles—“The Poet of Love” and “Poet of Ruposhi Bangla”—Jibanananda's metaphysical and magically realist verses have enchanted countless readers and audiences. His influence spills over from literature into cinema, inspiring iconic works from the 90s rock band Moheener Ghoraguli to films like Sayantan Mukherjee’s “Jhora Palok” and Robiul Alam Robi’s “Moribar Holo Taar Shwaad.”
Mehazabien is my idol: Malaika
Renowned actress Mehazabien Chowdhury’s younger sister, Malaika Chowdhury, is all set to step into the world of television with her debut drama, "Shondhinkkhon". Directed by Mohammad Mostafa Kamal Raz, the plot of this project has been penned by Mehazabien herself.
Memoirs of a legend / ‘AB’ through the eyes of Niaz Ahmed Aungshu
In 1995, as Ayub Bachchu’s hit album ‘Koshto’ was released, the album’s cover came as a surprise to people—it was an out-of-the-box design for that time. The man behind the cover is Niaz Ahmed Aungshu, who is not just a cover illustrator, but the person behind many successful lyrics during the 90s, including ‘Meye’, ‘Shecchachari’, and ‘Jonmohin Nokkhotro’, among dozens of others. He is currently an Australian expatriate. Remembering rock legend AB on his death anniversary (October 18), Aungshu reminisces his golden days with Ayub Bachchu and shares his journey as a musical artiste with The Daily Star.
The artivist
Being a cartoonist is Morshed Mishu’s preferred public identity, or as he describes himself, an “artivist”—someone who practices activism through art in a non-traditional manner. Mishu, who rose to prominence through his political cartoons and social activism, has journeyed to every corner of the country to aid his fellow countrymen.
Opinion / A trite trope: How drug-induced montages are losing edge on screen
In all honesty, the filming of the hazed-up and sluggish diplopia, magnified mercilessly by the strong presence of hallucinatory colours resembling questionable club joints and sounds that first seep in vaguely until the individual under the influence, begins hearing properly — has become trite. The fact that an aware audience is easily able to predict the cueing in of an unnecessary drug-addled montage in a project that does not even necessitate such an addition has also become dulling — so much so that I instantly and almost mindlessly give way to a bout of onomatopoeia of disdain.
Poorly arranged concerts should not be an ‘Aadat’
It is rather telling of the people when the army has to show up because of how people behave at a concert. “They brought an international band to a mall to perform,” said Sakib, who had attended the concert with high hopes. “It was a total joke. Organisers started taking selfies with the band mid-show, while Jal had to ask 20 times for a light to be turned off.”
An evening with Jal: Of nostalgia, music, and reunion
Mumtaz spoke with palpable excitement about returning to Bangladesh. "We are going to perform in Bangladesh after over a decade," he said, his eyes twinkling with nostalgia. "All Jal fans are probably grown up now, like me," he added with a chuckle. "But still they remember all the songs, it's so overwhelming for us to come here again and receive such a heartwarming welcome."
Shah Abdul Karim, the Baul king who sang his soul
Fifteen years ago today, on September 12, 2009, Karim, revered as the "Baul king," passed away, leaving behind a profound yet humble legacy of love and mysticism. Growing up in the flood-prone lowlands of Sunamganj, Karim's music became a lifeline, reflecting the rhythms of waterlogged lands and the heartache of their people. His songs, simple yet profound, captured the essence of rural life, blending spirituality with raw emotion.
‘Cartoon Ey Bidroho’: Drik celebrates revival of political cartoons
Political cartoons played a pivotal role in the Anti-Discrimination Student Movement, transforming the revolution with artistic brilliance and courage.
Television thrives amidst internet outage: Can it keep its viewers?
While the internet was down, TV ratings skyrocketed. Most TV channels have confirmed that their ratings have doubled, although they couldn't provide actual figures as data couldn't be gathered physically. How did they assume their content was reaching the audience? The answer lies in the constant stream of advertisement breaks.
Artcellism lives on
As I was preparing for the camera to roll, a humbling realisation struck me—this band had been crafting sonic masterpieces before I had even mastered my mother tongue. Their creations, like— "Oniket Prantor", "Onno Shomoy", "Obosh Onubhutir Deyal", "Amar Poth Chola", "Dhushor Shomoy"—had become the soundtrack to a generation’s hopes, dreams, and rebellions.
An unlikely partnership: How internet humour is reshaping film marketing
In Bangladesh and beyond, the success of productions like "Kacher Manush Dure Thuiya" and "Myself Allen Swapan" suggests that meme marketing is more than just a passing trend. It represents a fundamental shift in how audiences interact with and share content. As the digital landscape continues to evolve, those in the film and streaming industry who can master the art of the meme may find themselves with a significant advantage in capturing the ever-elusive attention of modern viewers.
Humayun Faridee: Remembering the ‘actors’ actor’
Humayun Faridee, a luminary of Bangladeshi stages, screens, and television, took his final breath on February 13, 2012, in Dhaka. Yet his physical departure does not signify erasure. His creations and artistry have transcended time, rendering him immortal in the hearts of his admirers. While literal victory over death is unattainable, Faridee achieved a form of immortality through the enduring legacy of his work.
Abdul Gaffar Chowdhury, a legacy beyond words
Chowdhury’s contributions go beyond this iconic song and journalism. He was a distinguished storyteller with notable works, including the acclaimed short story collection “Samrat-er Chhobi” (The Emperor’s Picture). He also authored significant novels and plays, consistently emerging as an active progressive writer and political commentator through the twists and turns of history. He was not just an observer of history but an active participant.
From Ghazals to global fame: Pankaj Udhas’ soulful serenade
The man behind the song, Pankaj Udhas, brought Ghazal to the masses, popularising it and making it accessible to the multitude not only in his country India but also across the globe with his calm and controlled voice that won everybody’s hearts.
Celebrating Mrinal Sen’s 101
Mrinal Sen, a pioneering figure of Indian cinema, continues to inspire artistic representation of social consciousness. Born on May 14, 1923, in Faridpur, his journey as a filmmaker traversed tumultuous socio-political landscapes. Through the composition of his illustrious career, he distinguished himself as a filmmaker of unparalleled vision and courage, particularly because his works transcended mere entertainment to embody profound social commentary.