Cinema has always been a mirror, but particularly in the last decade, it has started holding that mirror at a rather flattering angle. The reflection now has a bit more nationalism, a bit less nuance, and sometimes, an entire political manifesto playing in the background. The trailer for "The Taj Story", which asks whether the Taj Mahal might once have been a temple, does not merely invite curiosity; it stages curiosity as corrective history. It is the newest actor in a growing ensemble of movies that treat doubt like doctrine and cinema like a courthouse. And while we once saw filmmakers wrestle with moral ambiguity; in present times, the only ambiguity lies in whether you are watching entertainment or an election campaign.
They say you cannot see the world in a day, but they clearly have not been to the British Museum. After five hours of exploration, I came out questioning three things: time, empire, and how exactly one steals a whole moment without anyone noticing.
As I was about to enter AB Kitchen, I was worried how the man would receive me after four long years of barely any contact. In 2014, I was a naïve teenager, who felt lucky to be included in a musical project with the great Ayub Bachchu – fascinated every time that my name would come out of his mouth.
The Ministry of Cultural Affairs has turned this remembrance into a national homage — a three-day festival from October 17 to 19 at Lalon’s resting ground in Cheuriya. There will be music, discourse, and a fair that carries the rhythm of his spirit.
The couple recently visited The Daily Star, complementing each other in coordinated outfits. Between interviews and photographs, they could not stop capturing moments of one another on their phones. Married for four years, they describe themselves as best friends who respect each other’s personal space while nurturing their shared world. Although deeply in love, they affectionately address each other using tui, a term that might sound a bit strange to others, but feels natural to them.
In an industry where young actors often stumble under the weight of early fame, Nawba Tahiya Hossain has managed to do something rare—grow naturally into the spotlight. Barely out of her teens, she has already carried dramas that racked up millions of views and made her OTT debut alongside big names. Her story begins at the premises of Bangladesh Shishu Academy, where a little girl once sat with other children on Thursdays, learning how to recite poems and speak with confidence.
Recently, Ankan has been making waves with “Long Distance Love,” composed by Shuvendu Das Shuvo, with lyrics co-written by Pragata Naoha and Ankan himself. The song resonated deeply with listeners who related to the pain of separation. “Some loved it, while others didn’t. But what I cherished most was that people began sharing their own love stories in my comment section,” he said.
“I’ve noticed for a long time that many fake pages are using my photos and video interviews, claiming I lost weight by using their products,” said Runa. “But what can I even say to them? I’ve shared my real journey so many times—it’s been more than four years now. And when I see my own colleagues involved in such activities, using these products, or even going through surgeries, I honestly have nothing more to say.”
Plenty of shows and movies capture the exact same feelings that hooked us on TSITP—so consider this a fan-to-fan guide to what to watch next. Each of these picks delivers a flavor of TSITP, whether it’s the romance, the setting, or the emotional gut punches we secretly live for.
The awards’ focus on technical categories is an act of cultural intervention, asking audiences and peers alike to reconsider who counts in the making of art.
What I didn’t know as a child was that this gentle figure was, in many ways, a rebel. Mustafa Monwar’s art was never just about puppets or paintings. It was about freedom, about expression, and about believing that children deserve more than entertainment; they deserve hope, creativity, and courage.
That night in December 1921, while his comrade Muzaffar Ahmed slept, Nazrul scribbled furiously. By the morning, the air was charged with something new. “Bolo Bir, Chiro Unnoto Momo Sheer…” (“I am the Rebel Eternal, / I raise my head beyond this world, / High, ever erect and alone!”) he declared. It was not merely the birth of a poem but of a cultural rupture. Critics would later see in “Bidrohi” a break from the ‘Rabindric’ serenity that had long defined Bengal’s literary landscape—a new current of words forged in fire, laced with the clang of rebellion.
After a long hiatus, Coke Studio Bangla has finally returned, and it couldn’t have chosen a more fitting comeback than “Baaji”. The release not only marks the revival of the popular platform but also reunites fans with the magical duo of Hashim Mahmud and Emon Chowdhury.
Thanks to the release of the nationally beloved film “Utshob” on OTT, it has found its way into social media discussions. Lauded for its family-friendly, emotional, and evocative script, the film arguably peaks in the scene between Sunerah Binte Kamal and Zahid Hasan. A lighter facet of the emotional reunion of the father-daughter duo is Sunerah screeching, “How come this coffee is 350 taka? Outrageous!”, a humorous dialogue which has unexpectedly set off debates on social media.
In 1930, Tagore gifted five of his artworks—vibrant paintings of birds, humans, and a girl in a red robe—to a leading Berlin museum. The collection was part of a larger European exhibition showcasing over 300 of his works, which also travelled to Paris and London. Tagore’s art, like his writings, was gaining admiration; he had visited Germany three times, his books were widely translated, and the German press hailed him as a “wise man from the East.”
What was supposed to be a conversation on Jaya’s spectacular success in both “Taandob” and “Utshob” soon turned into a pseudo-political discussion on the future of women in the country. How could it not? The entire country has meanwhile been shaken to its core after the brutal rape of a woman in Cumilla.
Panthakunja, located on Sonargaon Road, was once a rare oasis in the capital
This is where Badhan steps in as the lead, playing officer Leena. From the get-go, she is a no-nonsense character. She is a strong police officer, but a heavily traumatised woman. It is the trauma that leads her to train, persist, and become a law enforcement officer in the first place, a plot device that pays off to its fullest near the end.
