Tahmima Anam
BOOK REVIEW: NONFICTION / Around the world in bookstores
Spectacular is the bookstore in Buenos Aires El Ateneo Grand Splendid; a former opera house built in 1903 and now shelved with books in a massive remodelling exercise.
FEATURE / Why don’t Bangladeshi books reach international award shelves?
A serious lack of outlet demotivates the publishing of anglophone literature in our literary scene. But the situation isn't completely bleak.
A Transgenerational Quest for Identity in Tahmima Anam’s Bengal Trilogy
Tahmima Anam, the Bangladesh-born British writer, is known at home and abroad for her spontaneous and vivid writing style. She is widely distinguished as a novelist and columnist with a profound awareness of her native and international culture.
Five books I would sell my soul to re-read for the first time
Honeyman gives Eleanor a personality beyond her mental illness.
The Good Muslim: A Post-Liberation War Bangladesh
“A novel asserts nothing; it provides a framework for thinking about things.” said Martin Amis, a British writer, in an interview with Rachel Cooke published in The Observer of 1 October 2006.
Around the world in bookstores
Spectacular is the bookstore in Buenos Aires El Ateneo Grand Splendid; a former opera house built in 1903 and now shelved with books in a massive remodelling exercise.
Why don’t Bangladeshi books reach international award shelves?
A serious lack of outlet demotivates the publishing of anglophone literature in our literary scene. But the situation isn't completely bleak.
A Transgenerational Quest for Identity in Tahmima Anam’s Bengal Trilogy
Tahmima Anam, the Bangladesh-born British writer, is known at home and abroad for her spontaneous and vivid writing style. She is widely distinguished as a novelist and columnist with a profound awareness of her native and international culture.
Five books I would sell my soul to re-read for the first time
Honeyman gives Eleanor a personality beyond her mental illness.
The Good Muslim: A Post-Liberation War Bangladesh
“A novel asserts nothing; it provides a framework for thinking about things.” said Martin Amis, a British writer, in an interview with Rachel Cooke published in The Observer of 1 October 2006.
