'The Hippo Girl and Other Stories' holds up a mirror to a society that judges and ridicules those that do not adhere to its shortsighted vision of a homogenised culture.
"...it is our responsibility to contribute to ways in which more translators can work well, be compensated fairly and find the work worthwhile enough to continue doing it"
When a few boys arrive at the couple’s flat to seek out their college-going daughter, Rekha, the parents are thrown into a whirlwind of adventure.
So in the spirit of Independence, I urge my reader to exercise independence of consumption—to question what you are buying, what you are reading, what you are watching, and which of these you are really given the freedom to choose.
The postcolonial and feminist lenses Chatterjee deploys in his discussion of the works of the selected women writers seem to suit his analysis of the works of these "enlightenment" period British women writers, for their biases, fixations, and anxieties often come into view then.
"I think of myself as someone who just really enjoys people, bringing people out, and hearing about what they’re working on": Anjali Singh
These words are not just some veils adorning the valour and victory of our freedom fighters; they're not just tributes but testaments to the rare occasion of the oppressed overpowering the oppressor.
As a juvenile bibliophile, I used to see the copies as a delicate object greeting with utter care and affection.
Overnight, the saffron summer afternoons and evenings of dreamy stargazing tumble into a tale of grief, guilt, and pain.
'The Hippo Girl and Other Stories' holds up a mirror to a society that judges and ridicules those that do not adhere to its shortsighted vision of a homogenised culture.
"...it is our responsibility to contribute to ways in which more translators can work well, be compensated fairly and find the work worthwhile enough to continue doing it"
When a few boys arrive at the couple’s flat to seek out their college-going daughter, Rekha, the parents are thrown into a whirlwind of adventure.
So in the spirit of Independence, I urge my reader to exercise independence of consumption—to question what you are buying, what you are reading, what you are watching, and which of these you are really given the freedom to choose.
The postcolonial and feminist lenses Chatterjee deploys in his discussion of the works of the selected women writers seem to suit his analysis of the works of these "enlightenment" period British women writers, for their biases, fixations, and anxieties often come into view then.
"I think of myself as someone who just really enjoys people, bringing people out, and hearing about what they’re working on": Anjali Singh
These words are not just some veils adorning the valour and victory of our freedom fighters; they're not just tributes but testaments to the rare occasion of the oppressed overpowering the oppressor.
As a juvenile bibliophile, I used to see the copies as a delicate object greeting with utter care and affection.
Overnight, the saffron summer afternoons and evenings of dreamy stargazing tumble into a tale of grief, guilt, and pain.
The book captures all the enjoyable experiences of travelling, and the food they ate, and provides descriptions of France's seas.