The exhibition presents a rare visual chronicle of one of Bangladesh’s greatest treasures, Sultan, spanning from his reclusive days in his village home in Machimdia, Narail, to his later years. Photographs, letters—many never previously seen—allow viewers to step quietly into the private world of a man who preferred to live through his paintings, labour, imagination, and solitude.
“Photographs alter and enlarge our notions of what is worth looking at and what we have a right to observe.” — Susan Sontag, On Photography (New York: Farrar, Straus and Giroux, 1977), p. 3.
On the 101st birth anniversary of SM Sultan, Dhaka’s Faculty of Fine Arts came alive with a vibrant festival celebrating his legacy. Though Sultan’s own paintings were absent, contemporary artists showcased works inspired by his powerful, realistic style. Organised by Charupith Art Research Institute and partners, the event included exhibitions, seminars, and film screenings, reaffirming Sultan’s lasting impact on Bangladeshi art and culture.
