The Japanese film director, Nagisa Oshima is a glaring exception. Primarily known for his New Wave style of filmmaking, in many cases, Nagisa Oshima has brought up rebellious and underprivileged youths in his films. Compared to the usual subject matters of his films, it is interesting to see that his two documentaries focusing on Bangladesh, Joi Bangla (1972) and Rahman: Father of Bengal (1973), are different. He finds the intense glory of Bangladesh's achievements in the context of 1972-73 even when the country was in a war-torn condition following the war in his film Rahman: Father of Bengal.
It was the British Royal Air Force comet jet that, on January 10, 1972, carried Father of the Nation Bangabandhu Sheikh Mujibur Rahman to his freed motherland -- the country he had led to independence.
A postdoctoral fellow from India visits Dhanmondi 32.
Writer, historian and war crimes researcher Shahriar Kabir talks about...
The Japanese film director, Nagisa Oshima is a glaring exception. Primarily known for his New Wave style of filmmaking, in many cases, Nagisa Oshima has brought up rebellious and underprivileged youths in his films. Compared to the usual subject matters of his films, it is interesting to see that his two documentaries focusing on Bangladesh, Joi Bangla (1972) and Rahman: Father of Bengal (1973), are different. He finds the intense glory of Bangladesh's achievements in the context of 1972-73 even when the country was in a war-torn condition following the war in his film Rahman: Father of Bengal.
It was the British Royal Air Force comet jet that, on January 10, 1972, carried Father of the Nation Bangabandhu Sheikh Mujibur Rahman to his freed motherland -- the country he had led to independence.
A postdoctoral fellow from India visits Dhanmondi 32.
Writer, historian and war crimes researcher Shahriar Kabir talks about...
