The literary world was shaken on August 12, 2022, when the news of Salman Rushdie being stabbed on stage in upstate New York started to pour in. Ironically, he was all set to talk about his involvement in a project to create a refuge in the USA for those writers who are not safe in their country.
In 'Knife', Rushdie pens in delicate detail the unforgettable events of August 12, 2022, giving out to the world his verdict on the act of violence
Following the trails of Imaginary Homelands (Penguin Books, 1992) and Step Across The Line (Modern Library, 2003), comprising essays written and lectures given by Salman Rushdie between 2003-2020, Languages of Truth is Rushdie’s third collection of nonfiction works and is as a delectable read as its predecessors if not more.
Although the book is written in English, he has plenty of doubt to dispense about the language, its usefulness, acceptance, and communicability when it comes to writing and creating art in Bangladesh.
Perhaps Martin Amis’s works do not grab me for the most part because it veers too far away from the humanism of, say, Saul Bellow—a writer Martin greatly admires and has written about extensively.
Rushdie’s surprise appearance was the highlight of an eventful month for PEN, the literary and free expression organisation that has been in the middle—by choice and otherwise—of various conflicts.
The story begins with an unnamed battle where all men of the tiny principality of Kampili die. Their wives commit mass suicide by lighting a massive bonfire on the coast of the river Pampa and immolating themselves in the pyre.
"All I've seen is his idiotic interview in the New York Post," said Rushdie about his attacker. "Which only an idiot would do."
"I write, but it’s a combination of blankness and junk", Salman Rushdie tells New Yorker's David Remnick.
The literary world was shaken on August 12, 2022, when the news of Salman Rushdie being stabbed on stage in upstate New York started to pour in. Ironically, he was all set to talk about his involvement in a project to create a refuge in the USA for those writers who are not safe in their country.
In 'Knife', Rushdie pens in delicate detail the unforgettable events of August 12, 2022, giving out to the world his verdict on the act of violence
Following the trails of Imaginary Homelands (Penguin Books, 1992) and Step Across The Line (Modern Library, 2003), comprising essays written and lectures given by Salman Rushdie between 2003-2020, Languages of Truth is Rushdie’s third collection of nonfiction works and is as a delectable read as its predecessors if not more.
Although the book is written in English, he has plenty of doubt to dispense about the language, its usefulness, acceptance, and communicability when it comes to writing and creating art in Bangladesh.
Perhaps Martin Amis’s works do not grab me for the most part because it veers too far away from the humanism of, say, Saul Bellow—a writer Martin greatly admires and has written about extensively.
Rushdie’s surprise appearance was the highlight of an eventful month for PEN, the literary and free expression organisation that has been in the middle—by choice and otherwise—of various conflicts.
The story begins with an unnamed battle where all men of the tiny principality of Kampili die. Their wives commit mass suicide by lighting a massive bonfire on the coast of the river Pampa and immolating themselves in the pyre.
"All I've seen is his idiotic interview in the New York Post," said Rushdie about his attacker. "Which only an idiot would do."
"I write, but it’s a combination of blankness and junk", Salman Rushdie tells New Yorker's David Remnick.
"I realised I had to start again as a person and a writer. I had to become a comic writer, a serious writer, a writer who could integrate the madness and most interesting elements on the same page."