One Battle After Another is Anderson's expertise in portraying the psychological drama of a wonderful father-daughter relationship.
Guillermo del Toro has spent most of his artistic life circling that question, and his new cinematic adaptation finally dives into it with both hands. It arrives like a long awaited confession. The result is a film that is lush, wounded, often brutal, and strangely hopeful, a vision that honours Shelley’s philosophical bones while draping them in del Toro’s unmistakable flesh.
The point of Frankenstein isn't simply a cut-and-dry warning of scientific innovations gone wrong. Rather, it is a heart-wrenching tale of the creature's ostracisation by human society.
It is a clever premise for a modern romance as a data-driven Delhi businessman finds his match through an algorithm, only to realise that love, unlike code, cannot be debugged.
Despite flaws, this is a milestone in the reluctant evolution of Bollywood's conscience
The movie wears its influence of Irish folklore on its sleeve.
At its heart, the film is a story of Krish Kapoor, a volatile and ambitious young musician played by Ahaan Panday, and Vaani Batra, a lyricist played by Aneet Padda, who together discover not only the soaring highs of romance but also the fragility of time when Vaani is diagnosed with early-onset Alzheimer’s. What begins as a meeting of music and words gradually turns into a meditation on the meaning of love when memory itself starts slipping away.
Weapons is risky, different, and unsettling in a unique way, which makes it memorable, even though it might not appeal to everyone.
F1 is a cinematic adrenaline rush that tries to capture the spirit of Formula 1 with style, heart, and thrilling visual realism. But its predictable story and missed potential hold it back.
At its heart, the film is a story of Krish Kapoor, a volatile and ambitious young musician played by Ahaan Panday, and Vaani Batra, a lyricist played by Aneet Padda, who together discover not only the soaring highs of romance but also the fragility of time when Vaani is diagnosed with early-onset Alzheimer’s. What begins as a meeting of music and words gradually turns into a meditation on the meaning of love when memory itself starts slipping away.
Weapons is risky, different, and unsettling in a unique way, which makes it memorable, even though it might not appeal to everyone.
F1 is a cinematic adrenaline rush that tries to capture the spirit of Formula 1 with style, heart, and thrilling visual realism. But its predictable story and missed potential hold it back.
In Materialists, a lot is said and even more is done, but without the same level of investment, or the imperceptible longing that would inevitably lead to the sequence of events that unfold.
The story of Sinners shines because of its insistence on straying away from genre conventions.
More than just an inspiring tale, Sing Sing works on multiple levels as a filmmaking achievement.
Nosferatu is akin to a looking glass, allowing the viewer to peer into a nocturnal world, where even daytime scenes appear moonlit, as is befitting of a gothic horror.
Sonic the Hedgehog 3 is a solid popcorn flick that delivers what fans have come to expect.
Adapted from Tatsuki Fujimoto’s 2021 one-shot of the same name and directed by veteran animator Kyotaka Oshiyama of Studio Durian, Look Back is nothing if not about art and the human connections that give us all the more reason to pursue it.
A depiction of a form of love that is seeped in devotion despite everything.
