“My reader, I dip into the water just for you.” Bibhas Roy Chowdhury
Begum’s Blunder is a clever adaptation of Oscar Wilde’s Lady Windermere’s Fan. The play transports the Victorian setting to the imaginary Behrampur, the heyday of the Nawabs in India. With Naila Azad Nupur’s direction, and Sadaf Saaz working her behind-the-scenes magic as the producer, the production by Kaleidoscope projects lights on the prism of Wilde’s 1892 play to find their contemporary refractions and reflections in colonial India.
It’s hard not to recall our many conversations about literature as I try to summarise Shah Tazrian Ashrafi’s debut collection of short stories. They were always short discussions, opening and closing off in spurts, as happens over text. Exclamations over a new essay collection by Zadie Smith, or a new novel by Isabel Allende.
This week, Kyla Zhao, the author of Valley Verified (Penguin Random House, 2024), graced us with an exclusive interview to give us insights into the changing trends in Asian American literature.
There are few novelists as cruel as Hanya Yanagihara—and in A Little Life (Doubleday, 2015), her pen draws blood. Nine years on, the controversy of the 800-page character study of an irreparably broken protagonist is still ablaze with accusations that it sadistically exploits trauma for profit.
In Gemini Wahhaj’s debut novel, The Children of This Madness (7.13 Books, 2023), the follow the lives of engineering professor Nasir Uddin and his daughter Beena, an aspiring PhD candidate living in the US.
The title of this book suggests that it is based in Bengal but it really meanders deftly across time and space, more often than not in “mazy motion”.
The Covenant of Water by physician and author Abraham Verghese tells the story of three generations of an Orthodox Saint Thomas Christian family in Kerala. Through suffering and loss, triumphs and victories, the importance of familial ties is examined and supported. In the Kerala of the 1940s, blood ties were sacred, but “family” also meant helpers who worked for you. Members of the three-generational family seem to be under a curse which causes its members to drown in water. The mystical power of water in our lives is explored with precision and sensitivity in the novel.
Though on its surface Sanya Rushdi’s Hospital, translated into English by Arunava Sinha and recently longlisted for the 2024 Stella Prize, looks to be a breezy, short read—it is anything but. With her rather flattened, sparse prose, Rushdi has managed to write an enduring piece of autofiction, a compelling account of psychosis that neither sensationalises nor withers away any sentimentality from the struggles of mental health.
“My reader, I dip into the water just for you.” Bibhas Roy Chowdhury
It’s hard not to recall our many conversations about literature as I try to summarise Shah Tazrian Ashrafi’s debut collection of short stories. They were always short discussions, opening and closing off in spurts, as happens over text. Exclamations over a new essay collection by Zadie Smith, or a new novel by Isabel Allende.
Begum’s Blunder is a clever adaptation of Oscar Wilde’s Lady Windermere’s Fan. The play transports the Victorian setting to the imaginary Behrampur, the heyday of the Nawabs in India. With Naila Azad Nupur’s direction, and Sadaf Saaz working her behind-the-scenes magic as the producer, the production by Kaleidoscope projects lights on the prism of Wilde’s 1892 play to find their contemporary refractions and reflections in colonial India.
There are few novelists as cruel as Hanya Yanagihara—and in A Little Life (Doubleday, 2015), her pen draws blood. Nine years on, the controversy of the 800-page character study of an irreparably broken protagonist is still ablaze with accusations that it sadistically exploits trauma for profit.
This week, Kyla Zhao, the author of Valley Verified (Penguin Random House, 2024), graced us with an exclusive interview to give us insights into the changing trends in Asian American literature.
In Gemini Wahhaj’s debut novel, The Children of This Madness (7.13 Books, 2023), the follow the lives of engineering professor Nasir Uddin and his daughter Beena, an aspiring PhD candidate living in the US.
The Covenant of Water by physician and author Abraham Verghese tells the story of three generations of an Orthodox Saint Thomas Christian family in Kerala. Through suffering and loss, triumphs and victories, the importance of familial ties is examined and supported. In the Kerala of the 1940s, blood ties were sacred, but “family” also meant helpers who worked for you. Members of the three-generational family seem to be under a curse which causes its members to drown in water. The mystical power of water in our lives is explored with precision and sensitivity in the novel.
The title of this book suggests that it is based in Bengal but it really meanders deftly across time and space, more often than not in “mazy motion”.
Though on its surface Sanya Rushdi’s Hospital, translated into English by Arunava Sinha and recently longlisted for the 2024 Stella Prize, looks to be a breezy, short read—it is anything but. With her rather flattened, sparse prose, Rushdi has managed to write an enduring piece of autofiction, a compelling account of psychosis that neither sensationalises nor withers away any sentimentality from the struggles of mental health.
In Deena Mohamed’s Shubeik Lubeik (originally published in 2015 and translated in 2023 by Mohamed herself), wishes have not only drastically altered the fabric of daily life in Egypt, but the world at large.