Shahriar Shaams

Shahriar Shaams has written for SUSPECT, Third Lane Mag (forthcoming), Commonwealth Writers’ Adda, Six Seasons Review, and Jamini. Find him on twitter @shahriarshaams.

The enchanting realism in Shahaduz Zaman’s ‘The Mynah Bird’s Testimony’

Shahaduz Zaman is a familiar face in Bangladeshi literature, whose literary career spans decades of fruitful work. He regularly writes columns for Bangla newspapers, has written a few notable biographical fiction, such as Ekjon Komolalebu (Prothoma, 2017), based around the life of Jibanananda Das, and has garnered some duly needed appreciation for ethnographic work on the history of medicine during the liberation war.

6d ago

Jhumpa Lahiri’s Italian renovations

Jhumpa Lahiri has always been the rare author whose prowess in the art of the short-story far surpassed her novelistic talents.

The futuristic post-punk world of Izumi Suzuki

More than anything, Suzuki shows that the key to being an alien is not to be outlandish but to be sickeningly more human.

Despair and death in ‘Truth or Dare’

Bangladeshi literature in English has had a considerably late start compared to its South Asian counterparts in India and Pakistan. A few exceptions aside, a consistency came to be seen only by the early 2010s.

In search of American freedoms

Increasingly over the years, American literary fiction has centered upon rage—a rage brought on by family, one’s own identity or, through the very cruelty of economic catastrophe.

An underwhelming kidnapping

Perhaps the book's biggest fault is that it ends up being (unintentionally or not) a response to Nabokov’s Lolita.

The records of resilience

Much of the reminiscences in The Murti Boys encompass the grittiness of staving off the Pakistanis with little weaponry and a great deal of quick thinking. 

The occult thrills of ‘The Centre’

Rarely does a book arrive, a debut no less, that feels as inventive and accomplished as Ayesha Manazir Siddiqi’s The Centre. Her novel is built on the crossroads of interpretation and ownership, of the power of language and of those privileged enough to reclaim it.

February 15, 2024
February 15, 2024

The enchanting realism in Shahaduz Zaman’s ‘The Mynah Bird’s Testimony’

Shahaduz Zaman is a familiar face in Bangladeshi literature, whose literary career spans decades of fruitful work. He regularly writes columns for Bangla newspapers, has written a few notable biographical fiction, such as Ekjon Komolalebu (Prothoma, 2017), based around the life of Jibanananda Das, and has garnered some duly needed appreciation for ethnographic work on the history of medicine during the liberation war.

January 4, 2024
January 4, 2024

Jhumpa Lahiri’s Italian renovations

Jhumpa Lahiri has always been the rare author whose prowess in the art of the short-story far surpassed her novelistic talents.

December 13, 2023
December 13, 2023

The futuristic post-punk world of Izumi Suzuki

More than anything, Suzuki shows that the key to being an alien is not to be outlandish but to be sickeningly more human.

November 23, 2023
November 23, 2023

Despair and death in ‘Truth or Dare’

Bangladeshi literature in English has had a considerably late start compared to its South Asian counterparts in India and Pakistan. A few exceptions aside, a consistency came to be seen only by the early 2010s.

October 19, 2023
October 19, 2023

In search of American freedoms

Increasingly over the years, American literary fiction has centered upon rage—a rage brought on by family, one’s own identity or, through the very cruelty of economic catastrophe.

October 13, 2023
October 13, 2023

An underwhelming kidnapping

Perhaps the book's biggest fault is that it ends up being (unintentionally or not) a response to Nabokov’s Lolita.

September 19, 2023
September 19, 2023

The records of resilience

Much of the reminiscences in The Murti Boys encompass the grittiness of staving off the Pakistanis with little weaponry and a great deal of quick thinking. 

September 14, 2023
September 14, 2023

The occult thrills of ‘The Centre’

Rarely does a book arrive, a debut no less, that feels as inventive and accomplished as Ayesha Manazir Siddiqi’s The Centre. Her novel is built on the crossroads of interpretation and ownership, of the power of language and of those privileged enough to reclaim it.

August 28, 2023
August 28, 2023

The minority report in India

In Another India, Pratinav Anil unambiguously faults Nehruvian secularism—the very mantle championed by historians such as Mushirul Hasan for whom “the congress best represented the Muslim interests from the fifties on.”

August 10, 2023
August 10, 2023

The straight and narrow vision of ‘Crook Manifesto’

Colson Whitehead’s sequel to his novel Harlem Shuffle (Doubleday, 2021) is a continuation of the exact same order.

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