At dawn on 16 December, Rashid Talukder set out to take photographs with Michel Laurent, an American photographer from the Associated Press.
Because the image was published, Naib Uddin’s life came under threat.
All his life, Noazesh remained immersed in the enchantment of art.
Sufia herself faced no trouble for having her photograph printed, but her poem did create difficulties.
The atmosphere was heavy and tense. It seemed unlikely that people would turn up for the gayebi janazah.
After the photo’s publication, government intelligence officers began searching for Pavel Rahman.
Modhurimay Alap (Swapno ‘71, 2023) transcribes two days of conversations with the late Golam Mustafa, first Director of Photography of Bangladesh Television.
At dawn on 16 December, Rashid Talukder set out to take photographs with Michel Laurent, an American photographer from the Associated Press.
Because the image was published, Naib Uddin’s life came under threat.
All his life, Noazesh remained immersed in the enchantment of art.
Sufia herself faced no trouble for having her photograph printed, but her poem did create difficulties.
The atmosphere was heavy and tense. It seemed unlikely that people would turn up for the gayebi janazah.
After the photo’s publication, government intelligence officers began searching for Pavel Rahman.
Modhurimay Alap (Swapno ‘71, 2023) transcribes two days of conversations with the late Golam Mustafa, first Director of Photography of Bangladesh Television.
