As I was about to enter AB Kitchen, I was worried how the man would receive me after four long years of barely any contact. In 2014, I was a naïve teenager, who felt lucky to be included in a musical project with the great Ayub Bachchu – fascinated every time that my name would come out of his mouth.
Despite that, the actress soldiers on. She now refuses to partake in sub-par scripts. “I used to say yes to whichever script was handed to me at one point, but I won’t do that anymore,” says a stern Safa Kabir.
He faced a flood of negative comments over his post related to Bijaya Dashami
Before moving on to a photoshoot, Dhallywood’s ‘King Khan’ had a request for the journalists at The Daily Star, “Our film industry is a treasure-trove of possibilities. Even foreigners are watching subtitled Bangla films with utmost eagerness. Please, talk about our dwindling halls and how our infrastructure needs to improve. We need to raise our voices.”
There is something disarmingly honest in the way director Arafat Mohsin Nidhi and writer Raba Khan present these little exchanges — gestures so mundane they almost go unnoticed in real life, until you realise they are the building blocks of intimacy
Thanks to the release of the nationally beloved film “Utshob” on OTT, it has found its way into social media discussions. Lauded for its family-friendly, emotional, and evocative script, the film arguably peaks in the scene between Sunerah Binte Kamal and Zahid Hasan. A lighter facet of the emotional reunion of the father-daughter duo is Sunerah screeching, “How come this coffee is 350 taka? Outrageous!”, a humorous dialogue which has unexpectedly set off debates on social media.
The most obvious consequence of this surge in AI use has to be the deprivation of artists from jobs they would otherwise have. For a typical 2-minute OVC, an ad agency would have to commit to the cost of casting, filming, editing, and sound – a sizeable fee. It is becoming increasingly lucrative for companies to cut costs by simply using an AI render of what they envisioned.
I am currently recording a tribute album, one that I’d been planning for a long time. It will feature reimaginations of the ‘90s songs that we dearly love, voiced by the talents of the 2000s – It’s the ultimate ‘what-if’ scenario.
As I was about to enter AB Kitchen, I was worried how the man would receive me after four long years of barely any contact. In 2014, I was a naïve teenager, who felt lucky to be included in a musical project with the great Ayub Bachchu – fascinated every time that my name would come out of his mouth.
Despite that, the actress soldiers on. She now refuses to partake in sub-par scripts. “I used to say yes to whichever script was handed to me at one point, but I won’t do that anymore,” says a stern Safa Kabir.
He faced a flood of negative comments over his post related to Bijaya Dashami
Before moving on to a photoshoot, Dhallywood’s ‘King Khan’ had a request for the journalists at The Daily Star, “Our film industry is a treasure-trove of possibilities. Even foreigners are watching subtitled Bangla films with utmost eagerness. Please, talk about our dwindling halls and how our infrastructure needs to improve. We need to raise our voices.”
There is something disarmingly honest in the way director Arafat Mohsin Nidhi and writer Raba Khan present these little exchanges — gestures so mundane they almost go unnoticed in real life, until you realise they are the building blocks of intimacy
Thanks to the release of the nationally beloved film “Utshob” on OTT, it has found its way into social media discussions. Lauded for its family-friendly, emotional, and evocative script, the film arguably peaks in the scene between Sunerah Binte Kamal and Zahid Hasan. A lighter facet of the emotional reunion of the father-daughter duo is Sunerah screeching, “How come this coffee is 350 taka? Outrageous!”, a humorous dialogue which has unexpectedly set off debates on social media.
The most obvious consequence of this surge in AI use has to be the deprivation of artists from jobs they would otherwise have. For a typical 2-minute OVC, an ad agency would have to commit to the cost of casting, filming, editing, and sound – a sizeable fee. It is becoming increasingly lucrative for companies to cut costs by simply using an AI render of what they envisioned.
I am currently recording a tribute album, one that I’d been planning for a long time. It will feature reimaginations of the ‘90s songs that we dearly love, voiced by the talents of the 2000s – It’s the ultimate ‘what-if’ scenario.
Review of ‘Jodi Lokkho Thake Otut: Shafolyer Khola Koushol’ (Anyaprokash, 2025) by Asif Iqbal
In moments of national crisis, instead of silence or responsible support, we see people racing to post
