If your idea of resisting state failure is to equate “femininity” with cowardice, you are not challenging injustice. You are reinforcing it.
A gang rape accused has no fear of consequences because of his political affiliation.
'Biggest threat to animal welfare in Bangladesh are overenthusiastic activists'
Progress limps while women bleed, and no one seems to care.
The ability not just to use technology but to understand, interpret, and engage with it wisely is glaringly absent from our collective behaviour
In Bangladesh, nearly nine out of every 10 rapes in the first four months of this year involved children.
For anyone who grew up “A Christmas Carol” by Charles Dickens, “Utshob” is a warm wave of nostalgia. For those raised in 1990s Bangladesh -- whether or not they’re familiar with Dickens -- the film offers a loving nod to the dramas and films of that era. And even for viewers with no emotional ties to either Dickens or the 90s, this film still feels like a two-hour-long hug, a very warm one.
Despite the legal provisions in place to punish such actions, many victims find themselves powerless to pursue justice.
If your idea of resisting state failure is to equate “femininity” with cowardice, you are not challenging injustice. You are reinforcing it.
A gang rape accused has no fear of consequences because of his political affiliation.
'Biggest threat to animal welfare in Bangladesh are overenthusiastic activists'
Progress limps while women bleed, and no one seems to care.
The ability not just to use technology but to understand, interpret, and engage with it wisely is glaringly absent from our collective behaviour
In Bangladesh, nearly nine out of every 10 rapes in the first four months of this year involved children.
For anyone who grew up “A Christmas Carol” by Charles Dickens, “Utshob” is a warm wave of nostalgia. For those raised in 1990s Bangladesh -- whether or not they’re familiar with Dickens -- the film offers a loving nod to the dramas and films of that era. And even for viewers with no emotional ties to either Dickens or the 90s, this film still feels like a two-hour-long hug, a very warm one.
Despite the legal provisions in place to punish such actions, many victims find themselves powerless to pursue justice.
Are we so far gone that even a creature's panic, its last attempt at life, is turned into viral entertainment?
How many broken bodies, how many babies torn apart, how many headlines soaked in blood will it take before this nation wakes up?
