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Mahiya Tabassum
Mahiya Tabassum is a writer and journalist. She is working as a sub-editor at The Daily Star. Send her book and film recommendations at mahiya.t16@gmail.com.
Mahiya Tabassum is a writer and journalist. She is working as a sub-editor at The Daily Star. Send her book and film recommendations at mahiya.t16@gmail.com.
Highlighting the universal appeal of Nazrul's poetry, Dr Kamal, who is also a poet, stressed the need to expand translation efforts to present the rich literary heritage of Bengal on the global stage. He urged bringing masterpieces of Bangla literature, including Nazrul's transcendent works, to readers across the world through high-quality translations. This would not only honour the genius of pioneers like the Rebel Poet but also facilitate a wider appreciation and understanding of the region's literary and cultural legacy among international audiences.
On Manik Bandopadhyay’s 116th birth anniversary, his unsparing literary vision jolt us out of complacency with today's injustices.
Celebrating the timeless melodies of Rabindra Sangeet, the National Rabindra Sangeet Festival inaugurated its 35th edition yesterday evening at the International Mother Language Institute auditorium in the capital.
The event, inaugurating the photo exhibition "Gaza Holocaust: Killing the Truthtellers", delved deep into the nuances of Western media's portrayal of conflicts, particularly the ongoing genocide in Gaza. Moderated by renowned photojournalist Shahidul Alam, the discussion brought together voices echoing a common sentiment: the West's selective adherence to its proclaimed values.
In an industry spotlighting talent and storytelling, recent controversies have cast a harsh light on a persistent issue: colourism in casting. The latest uproar emerged when photos of popular actress Sabila Nur surfaced, displaying her intentionally darkened complexion for an upcoming drama, "Bidisha", which is slated to be released today, on the occasion of International Women’s Day. Ironically, this deliberate alteration of the skin complex for the role contradicts the very essence of celebrating this day, sparking a crucial debate over the representation of skin complexion and societal standards.
Palestinian art took on a more secular style from the late 19th century with issues related to “identity, memory, location, and resistance.” Artworks depicting Palestinian life also included a repertoire of “politically potent icons like the cactus and metaphors such as Palestine as the motherland.” The territory’s vibrant arts community was a testament to Palestinian resilience, but now it is losing voices central to its spirit.
The narrative, based on actual events, unfolds in a small town in 1990s Bangladesh, where the film's protagonist, Dipa, portrayed with resilience and conviction by Aanon Siddiqua, grapples with the aftermath of a failed marriage, societal taboos, and the weight of family honour. Aanon’s acting prowess, coupled with the raw emotions portrayed throughout the runtime, is bound to leave the audience in awe.
Mohammad Shafayat Hossain, popular by his stage name Jalali Shafayat, stands as a prominent member of the acclaimed rap ensemble, Jalali Set, making him one of the most recognised rappers in the country. Whether in collaboration with Jalali Set or as a solo artiste, he consistently proved his prowess in delivering versatile verses and hit tracks, including “Dhamaka”, “Local Bus” in collaboration with the once-national sensation Momotaz Begum, and “Mainkar Chipay” alongside AvoidRafa.
Highlighting the universal appeal of Nazrul's poetry, Dr Kamal, who is also a poet, stressed the need to expand translation efforts to present the rich literary heritage of Bengal on the global stage. He urged bringing masterpieces of Bangla literature, including Nazrul's transcendent works, to readers across the world through high-quality translations. This would not only honour the genius of pioneers like the Rebel Poet but also facilitate a wider appreciation and understanding of the region's literary and cultural legacy among international audiences.
On Manik Bandopadhyay’s 116th birth anniversary, his unsparing literary vision jolt us out of complacency with today's injustices.
Celebrating the timeless melodies of Rabindra Sangeet, the National Rabindra Sangeet Festival inaugurated its 35th edition yesterday evening at the International Mother Language Institute auditorium in the capital.
The event, inaugurating the photo exhibition "Gaza Holocaust: Killing the Truthtellers", delved deep into the nuances of Western media's portrayal of conflicts, particularly the ongoing genocide in Gaza. Moderated by renowned photojournalist Shahidul Alam, the discussion brought together voices echoing a common sentiment: the West's selective adherence to its proclaimed values.
In an industry spotlighting talent and storytelling, recent controversies have cast a harsh light on a persistent issue: colourism in casting. The latest uproar emerged when photos of popular actress Sabila Nur surfaced, displaying her intentionally darkened complexion for an upcoming drama, "Bidisha", which is slated to be released today, on the occasion of International Women’s Day. Ironically, this deliberate alteration of the skin complex for the role contradicts the very essence of celebrating this day, sparking a crucial debate over the representation of skin complexion and societal standards.
Palestinian art took on a more secular style from the late 19th century with issues related to “identity, memory, location, and resistance.” Artworks depicting Palestinian life also included a repertoire of “politically potent icons like the cactus and metaphors such as Palestine as the motherland.” The territory’s vibrant arts community was a testament to Palestinian resilience, but now it is losing voices central to its spirit.
The narrative, based on actual events, unfolds in a small town in 1990s Bangladesh, where the film's protagonist, Dipa, portrayed with resilience and conviction by Aanon Siddiqua, grapples with the aftermath of a failed marriage, societal taboos, and the weight of family honour. Aanon’s acting prowess, coupled with the raw emotions portrayed throughout the runtime, is bound to leave the audience in awe.
Mohammad Shafayat Hossain, popular by his stage name Jalali Shafayat, stands as a prominent member of the acclaimed rap ensemble, Jalali Set, making him one of the most recognised rappers in the country. Whether in collaboration with Jalali Set or as a solo artiste, he consistently proved his prowess in delivering versatile verses and hit tracks, including “Dhamaka”, “Local Bus” in collaboration with the once-national sensation Momotaz Begum, and “Mainkar Chipay” alongside AvoidRafa.
Creating safe and empowering public spaces demands a multidimensional approach, the first step of which is initiating table conversations.
The realm of Indian classical music lost one of its brightest stars yesterday as Ustad Rashid Khan, the 10th-generation face of Rampur-Sahaswan Gharana, bid us farewell.