Horror is deceptively simple to make, yet notoriously difficult to make well. A filmmaker can throw together a woman (yes, somehow it’s always a woman) in elaborate prosthetics, a tragic backstory of dying, and a handful of well-placed jump scares and the result will still qualify as a horror film. But to truly respect the genre, to treat it as an intricate art of layered storytelling, is to recognise its potential to push boundaries.
