The most positive aspect of “Bhool Bhulaiyaa 3” (2024) is its unpredictability. While the climactic twist is audacious and unique, the film suffers from clumsy execution, falling short of evoking the intended emotions. It's a fine thought, albeit underwritten, and it deserved a bit more complexity than the film's chaotic momentum allows. Nonetheless, I have to say that I did not see it coming.
“Call Me Bae," created by Ishita Moitra with co-writers Samina Motlekar and Rohit Nair, follows the story of poor little rich girl Bella Chowdhary, affectionately known as Bae, played by Ananya Panday. For those who may not be familiar with generational slang, 'Bae' is a term of endearment used to refer to someone's sweetheart.
The success of “Emily in Paris” reveals that there's room for both highbrow, thought-provoking TV and light, unchallenging fare. While there are plenty of complex, intellectually stimulating shows, there are times when we just want something easy and predictable—shows like “Suits”, “The Office”, and “Friends” continue to top streaming charts long after their original air dates for precisely this reason. There's comfort in knowing what to expect and in watching a storyline wrap up neatly within 30 minutes.
With the guidance of writer and showrunner Gemma Burgess, "My Lady Jane" translates well into an eight-episode Prime Video series that confirms that history is a lot more fun and watchable when approached with an unapologetically tongue-in-cheek attitude.
Even without a full-blown sympathetic backstory, a villain’s motivations can be complex.
“Crew” serves as a great example of how a light-hearted comedy can successfully blend entertainment with relevance by maintaining an air of levity while addressing timely topics.
The 2010 and 2013 Percy Jackson films, despite Logan Lerman's charismatic lead performance, fell short of expectations, drawing criticism for creative decisions like omitting significant book sequences and ageing Percy prematurely to 16.
“Dunki” is about the shocking ways in which people try to illegally migrate to the UK or any other developed Western country. Called the ‘donkey route’, it involves unscrupulous agents, tough border controls, corrupt officials, and lots of money.
The most positive aspect of “Bhool Bhulaiyaa 3” (2024) is its unpredictability. While the climactic twist is audacious and unique, the film suffers from clumsy execution, falling short of evoking the intended emotions. It's a fine thought, albeit underwritten, and it deserved a bit more complexity than the film's chaotic momentum allows. Nonetheless, I have to say that I did not see it coming.
“Call Me Bae," created by Ishita Moitra with co-writers Samina Motlekar and Rohit Nair, follows the story of poor little rich girl Bella Chowdhary, affectionately known as Bae, played by Ananya Panday. For those who may not be familiar with generational slang, 'Bae' is a term of endearment used to refer to someone's sweetheart.
The success of “Emily in Paris” reveals that there's room for both highbrow, thought-provoking TV and light, unchallenging fare. While there are plenty of complex, intellectually stimulating shows, there are times when we just want something easy and predictable—shows like “Suits”, “The Office”, and “Friends” continue to top streaming charts long after their original air dates for precisely this reason. There's comfort in knowing what to expect and in watching a storyline wrap up neatly within 30 minutes.
With the guidance of writer and showrunner Gemma Burgess, "My Lady Jane" translates well into an eight-episode Prime Video series that confirms that history is a lot more fun and watchable when approached with an unapologetically tongue-in-cheek attitude.
Even without a full-blown sympathetic backstory, a villain’s motivations can be complex.
“Crew” serves as a great example of how a light-hearted comedy can successfully blend entertainment with relevance by maintaining an air of levity while addressing timely topics.
The 2010 and 2013 Percy Jackson films, despite Logan Lerman's charismatic lead performance, fell short of expectations, drawing criticism for creative decisions like omitting significant book sequences and ageing Percy prematurely to 16.
“Dunki” is about the shocking ways in which people try to illegally migrate to the UK or any other developed Western country. Called the ‘donkey route’, it involves unscrupulous agents, tough border controls, corrupt officials, and lots of money.
A rather random yet enjoyable song highlights how everything is political, from the lunch we eat to the way we dress for school.
I often feel overwhelmed by the sheer quantity of new books that I still want to read—so many stories, so little time—and understand that this is an ambition that rereading can only delay.
