For decades, Bollywood has been primarily driven by the "male gaze," where women were portrayed through the lens of male desire and societal expectations. They presented women in stereotypical roles, often as damsels in distress, sacrificing lovers, or objects of desire. This male gaze manifested in hyper-sexualisation, passive narratives and limited agency. Women rarely drove the plot. Their actions and desires revolved around men, reinforcing traditional gender roles. They were portrayed as lacking control over their lives, with their choices dictated by societal norms or male characters.
In a heartfelt tribute to the late actor Irrfan Khan, the Mahalaxmi-based experimental arts performance space, G5A, is set to present "Irrfan (1967 – 2020): A Retrospective". The event, organised by G5A Cinema House and filmmaker Nikkhil Advani, aims to celebrate Irrfan Khan's enduring contribution to cinema through iconic roles in films like Maqbool, Yogi, Rana, Ashoke, and Saajan.
For decades, Bollywood has been primarily driven by the "male gaze," where women were portrayed through the lens of male desire and societal expectations. They presented women in stereotypical roles, often as damsels in distress, sacrificing lovers, or objects of desire. This male gaze manifested in hyper-sexualisation, passive narratives and limited agency. Women rarely drove the plot. Their actions and desires revolved around men, reinforcing traditional gender roles. They were portrayed as lacking control over their lives, with their choices dictated by societal norms or male characters.
In a heartfelt tribute to the late actor Irrfan Khan, the Mahalaxmi-based experimental arts performance space, G5A, is set to present "Irrfan (1967 – 2020): A Retrospective". The event, organised by G5A Cinema House and filmmaker Nikkhil Advani, aims to celebrate Irrfan Khan's enduring contribution to cinema through iconic roles in films like Maqbool, Yogi, Rana, Ashoke, and Saajan.