His dramas from the 1980s to 2000s — “Ei Shob Din Ratri”, “Aaj Robibar”, “Kothao Keu Nei” — didn’t rely on extravagant plots. Instead, they unfolded inside familiar apartments, verandas, and tea stalls. The humour was effortless, the dialogue ordinary, yet the emotion ran deep. He made us care for people who could easily have been our neighbours.
