Graffiti in Bangladesh
Yunus visits DU to view graffiti from student-led uprising
Chief Adviser Professor Muhammad Yunus today visited the Dhaka University campus to see the graffiti drawn by young revolutionaries during the student-led mass uprising in July and August
Can our walls make space for our dissent?
The walls of Dhaka city represent the volume and chaos of thousands of people jostling for ever-shrinking space.
Silencing the critic: The cost of stifling voices in the name of authority
Would we, in today's Bangladesh, have subjected Quamrul Hassan to imprisonment for employing his art to critique the current political culture?
My powerless poster walk
Although we have the Graffiti Writing and Poster Sticking Control Act, 2012 to prevent visual pollution, nothing much has been done to implement it. Why, though?
The journey of street art in Bangladesh
Street art's journey is a global phenomenon that has transformed from its roots as an act of vandalism into a respected and influential art movement. In Bangladesh, this evolution has taken various forms, reflecting the changing socio-political landscape and the artistic expressions of its people.
Yunus visits DU to view graffiti from student-led uprising
Chief Adviser Professor Muhammad Yunus today visited the Dhaka University campus to see the graffiti drawn by young revolutionaries during the student-led mass uprising in July and August
Can our walls make space for our dissent?
The walls of Dhaka city represent the volume and chaos of thousands of people jostling for ever-shrinking space.
Silencing the critic: The cost of stifling voices in the name of authority
Would we, in today's Bangladesh, have subjected Quamrul Hassan to imprisonment for employing his art to critique the current political culture?
My powerless poster walk
Although we have the Graffiti Writing and Poster Sticking Control Act, 2012 to prevent visual pollution, nothing much has been done to implement it. Why, though?
The journey of street art in Bangladesh
Street art's journey is a global phenomenon that has transformed from its roots as an act of vandalism into a respected and influential art movement. In Bangladesh, this evolution has taken various forms, reflecting the changing socio-political landscape and the artistic expressions of its people.