Galleri Kaya exhibitions

Tajuddin Ahmed's gestural abstraction in the context of Bangladesh

Tajuddin's artistic journey has been marked by a continuous process of refinement. After the late 1980s, he transitioned into a semi-abstract painter and embarked on a thorough exploration of the metropolitan community through thematic treatment. With a profound sense of intimacy, he closely observed the unplanned urbanisation of the city, the gradual loss of its cultural heritage, the diverse modes of transportation, and the ever-evolving socio-political and economic conditions.