Tajuddin's artistic journey has been marked by a continuous process of refinement. After the late 1980s, he transitioned into a semi-abstract painter and embarked on a thorough exploration of the metropolitan community through thematic treatment. With a profound sense of intimacy, he closely observed the unplanned urbanisation of the city, the gradual loss of its cultural heritage, the diverse modes of transportation, and the ever-evolving socio-political and economic conditions.
Syeda Asma Akber is a self-taught painter, but this description hardly does justice to her creative talents. Her connection to art seems to have been established in her early years. As a painter, she explores non-figurative, mostly non-objective, and naturist themes. Asma’s work is deeply rooted in physiological experiments, incorporating elements of illusion and emotion.
Tajuddin's artistic journey has been marked by a continuous process of refinement. After the late 1980s, he transitioned into a semi-abstract painter and embarked on a thorough exploration of the metropolitan community through thematic treatment. With a profound sense of intimacy, he closely observed the unplanned urbanisation of the city, the gradual loss of its cultural heritage, the diverse modes of transportation, and the ever-evolving socio-political and economic conditions.
Syeda Asma Akber is a self-taught painter, but this description hardly does justice to her creative talents. Her connection to art seems to have been established in her early years. As a painter, she explores non-figurative, mostly non-objective, and naturist themes. Asma’s work is deeply rooted in physiological experiments, incorporating elements of illusion and emotion.
