K.M. Arefin

The only problem in our ‘Shahebiana.’ Is our complexion, that’s not ‘White.’ Still, we don’t stop trying; use ‘Vinolea,’ Powdering our skin in layers, with might. We are back from the West: a few, We destroy the Congress in a chew. Although our Shahebs are our God, We make them angry on a nod. Whereas, we walk like the Shahebs. And give speeches in perfect English; But in the time of crisis: steadily we run, Like every other Bengali son.

Dr Seely’s story in Bangladesh begins in Barisal Zilla School in 1963, while working as a volunteer for the American Peace Corps.

Similar to how the play starts, it also ends with the colourful, subtle image of the butterflies flying spontaneously, creating a strong symbolism encapsulating Paul's dream of freedom, nature, and his ambition of becoming a writer

The large green pond of Dhanmondi Lake was probably the first source of natural water that I had witnessed. It sheltered a huge number of people who have lived,

Here is a short list of her chants in fiction, creating a narrative of Bangali postcolonial resistance

'I would like to see more writing coming out of Bangladesh,' Shazia Omar said. 'We are still behind'

On the midday of a warm spring, Dhaka Flow Fest 2024 organised a delightful reading session at Baridhara Lakeside Rajuk Park with authors Farah Ghuznavi, Neeman Sobhan, Salahdin Imam, and Nahiyan Ameen

TRIGGER WARNING: animal brutality