On a hot and humid evening of September 5, 2025, Gallery Chitrak inaugurated “Troyee”, a group art exhibition featuring three talented artists – Shahnaz Begum Shahin, Miratul Fatima Raka, and Shahin Sobhana Suravi. The trio, close friends and alumni of three different departments at the Institute of Fine Arts, University of Dhaka, came together to present this collective showcase.
Bhumi Gallery in Lalmatia inaugurated “Metropolitan: Beauty in Chaos” on August 29, 2025. This duet painting exhibition by architect and artist MM Maksud Biplob and artist Al-Akhir Sarker was arranged by Shilpangan, featuring our overpopulated yet beloved Dhaka city.
“Hawabibi In this City”, a solo exhibition by artist Shaily Shrabonti, was officially inaugurated at La Galerie of Alliance Française de Dhaka (AFD) during the warm evening of last Monday (August 25). Shaily is a Dhaka-based visual artist who holds a BFA and MFA in Oriental Art from the Faculty of Fine Arts, University of Dhaka. Her art reflects the struggles, resilience, and success of women in patriarchal societies.
Bengal Shilpalay inaugurated “Shotoborshe Sultan” yesterday, a solo photography exhibition by Nasir Ali Mamun, held as a tribute to legendary Bangladeshi artist SM Sultan on his birth centenary.
Bhumi Gallery in Lalmatia is currently hosting a five-day group art exhibition titled “Aranyarekha”, featuring 12 Bangladeshi artists. The artworks stem from a workshop visit to the Sundarbans. The inauguration ceremony was graced by distinguished personalities, including artist Prof Mohammad Eunus as chief guest and Prof Dr Md Anwarul Islam, Chief Executive of WildTeam Conservation Biology Center. Bird specialist Inam Al Haque presided over the event.
Since the Stone Age, stones have been the bearer of culture and the earliest civilisations. Over time, aside from making weapons, humans began to incorporate stones into building shelters. Later on, they became the first medium for written language through the art of carving, and even today, despite being replaced by papyrus and the printing press, this form of art lives on.
An entire year has passed since the blood-red chapter of July 2024; a trauma we never anticipated facing in an independent country. The survivors of the Liberation War of 1971 are still wounded by the atrocities of Pakistani rule, and yet they witness their countrymen, their children, having their blood spilled. Just as our generation saw the monstrosities of 1971 through visual documentation, the generations after us must also know what we fought for in 2024. With that in mind, several photographers came to the front lines. One such person is Jibon Ahmed, whose solo exhibition “Witness to the Uprising” captures the spirit and sacrifice of those days.
Bhumi Gallery in Lalmatia has opened its latest exhibition, “The Trendsetters”, showcasing 70 remarkable artworks by 10 skilled male artists. The participating artists are Anukul Chandra Majumder, Azmeer Hossain, Kamal Uddin, Sadek Ahmed, Kazi Sahid, Shohag Parvez, Abdullah Al Bashir, Kamruzzoha, Shahanoor Mamun, and Sourav Chowdhury.
On a hot and humid evening of September 5, 2025, Gallery Chitrak inaugurated “Troyee”, a group art exhibition featuring three talented artists – Shahnaz Begum Shahin, Miratul Fatima Raka, and Shahin Sobhana Suravi. The trio, close friends and alumni of three different departments at the Institute of Fine Arts, University of Dhaka, came together to present this collective showcase.
Bhumi Gallery in Lalmatia inaugurated “Metropolitan: Beauty in Chaos” on August 29, 2025. This duet painting exhibition by architect and artist MM Maksud Biplob and artist Al-Akhir Sarker was arranged by Shilpangan, featuring our overpopulated yet beloved Dhaka city.
“Hawabibi In this City”, a solo exhibition by artist Shaily Shrabonti, was officially inaugurated at La Galerie of Alliance Française de Dhaka (AFD) during the warm evening of last Monday (August 25). Shaily is a Dhaka-based visual artist who holds a BFA and MFA in Oriental Art from the Faculty of Fine Arts, University of Dhaka. Her art reflects the struggles, resilience, and success of women in patriarchal societies.
Bengal Shilpalay inaugurated “Shotoborshe Sultan” yesterday, a solo photography exhibition by Nasir Ali Mamun, held as a tribute to legendary Bangladeshi artist SM Sultan on his birth centenary.
Bhumi Gallery in Lalmatia is currently hosting a five-day group art exhibition titled “Aranyarekha”, featuring 12 Bangladeshi artists. The artworks stem from a workshop visit to the Sundarbans. The inauguration ceremony was graced by distinguished personalities, including artist Prof Mohammad Eunus as chief guest and Prof Dr Md Anwarul Islam, Chief Executive of WildTeam Conservation Biology Center. Bird specialist Inam Al Haque presided over the event.
Since the Stone Age, stones have been the bearer of culture and the earliest civilisations. Over time, aside from making weapons, humans began to incorporate stones into building shelters. Later on, they became the first medium for written language through the art of carving, and even today, despite being replaced by papyrus and the printing press, this form of art lives on.
An entire year has passed since the blood-red chapter of July 2024; a trauma we never anticipated facing in an independent country. The survivors of the Liberation War of 1971 are still wounded by the atrocities of Pakistani rule, and yet they witness their countrymen, their children, having their blood spilled. Just as our generation saw the monstrosities of 1971 through visual documentation, the generations after us must also know what we fought for in 2024. With that in mind, several photographers came to the front lines. One such person is Jibon Ahmed, whose solo exhibition “Witness to the Uprising” captures the spirit and sacrifice of those days.
Bhumi Gallery in Lalmatia has opened its latest exhibition, “The Trendsetters”, showcasing 70 remarkable artworks by 10 skilled male artists. The participating artists are Anukul Chandra Majumder, Azmeer Hossain, Kamal Uddin, Sadek Ahmed, Kazi Sahid, Shohag Parvez, Abdullah Al Bashir, Kamruzzoha, Shahanoor Mamun, and Sourav Chowdhury.
A pink poster had been circulating my social media newsfeed, and it turned out to be an art exhibition, so I decided to pay a visit. On the first afternoon of August, Safiuddin Shilpalay hence inaugurated the first solo exhibition, “Abanto”, by Mayesha Islam Abanti. She is a distinguished young lady who is currently enrolled at the University of Birmingham, UK.
The last week of July brought an artistic distraction in the wake of a national tragedy. Seeking a brief moment of emotional respite, I visited Safiuddin Shilpalay on July 26, 2025, as it inaugurated “Carving the Self: Id | Ego | Superego”—the first solo art exhibition of emerging artist Abu Al Naeem. The ceremony was attended by noted professors from the Faculty of Fine Art, University of Dhaka, including Prof Syed Abul Barq Alvi, Prof Dr Azharul Islam Sheikh, Prof Anisuzzaman Anis, and Associate Prof Md Nazir Hossain Khan. Artist and founder of Safiuddin Shilpalay, Ahmed Nazir, was also present.
